Replaying Homer — Theatre/Archaeology. Notes on Christopher Nolan’s Odyssey. The Odyssey, adapted from Homer and directed by Christopher Nolan. Even before its release on July 17, the movie generated much discussion and commentary. Historical accuracy – helmets from the wrong period, Viking ships in the Bronze Age, and an Agamemnon that looks like Batman. Fidelity to Homer’s…
the shape of history
Becoming stone — death and transfiguration
Stevns Klint, Denmark. Connie Svabo and I are visiting this extraordinary geological site that achieved World Heritage status in 2014. She was part of the team that developed the concept for the superb new visitor center [Link]. Here is a vitalist and hylozoic commentary. Exposed limestone and chalk geology. Højerup old church. The beds of…
Welsh memories in a Cretan landscape
I am on a short visit to Crete. Elounda, Lasithi. Out east. Past the prehistoric ruins of Malia, to where Chris (Witmore) and I drove in the Renault convertible on an impromptu photo shoot. It’s been twenty five years since. Another visit now to liquid commingling times. A dappled landscape I look out over a…
Some archaeological notes on futures studies
The Janus Maneuver Hindsight, foresight, and futures studies Everyone, it seems, is a futurist now. Here are some loosely gathered thoughts on why an archaeology of design may be a missing foundation. These are notes – so expect inaccuracies and mistakes of memory (hopefully minor). After Janus – the divine principle of looking both back…
Newsletter — Stanford Archaeology Center
Prospective reflections on 2025-26 Acting with nature — prehistory My new book Archaeologies of Nature: Activating the Archive, written with Gabriella Giannachi, University of Exeter and Turin, is now complete and in production. Open Access — it will be available as PDF in June 2026. We use an archaeology of artworks to probe human relationships…
Speculative author
Hans Christian Andersen at Tivoli Amusement Park, Copenhagen [Link]. August 10 – here’s his desk at the H.C. Andersen Hus in Odense [Link]. The museum/center/garden/experience is remarkable tribute to the extraordinary range of his work. I had not appreciated his sophistication – fabulation, science fiction, psychology, collage, papercuts, letter writing …