Mike Pearson – theatre/archaeology

Mike Pearson died last week. He was a performance artist, theatre director, theorist and philosopher, scholar and teacher. And, as composer John Hardy said, Mike collaborated and connected – visual design, architectural stagecraft, poets, playwrights, composers, experimental jazz musicians, dancers, disability & gender specialists, comics, community art conveners, museum curators, traditional Japanese theatre performers, Patagonian farmers,…

property, legacy, heritage, and a case for connoisseurship

Project Borderlands – [Link] More reflections on the entanglement of property and colonialism, taste and upbringing, class and inequality. [Link] [Link] [Link] In the early 1700s Admiral George Delaval, wealthy from a career in the Royal Navy, diplomatic service and from overseas investments, bought his old family estate from an impoverished cousin. He hired Sir…

decolonizing the museum

Another contribution to an ongoing discussion at Stanford around the future of Classics and the Humanities [Link]. Colonial loot In 1897 a British military force burned and looted, murdered their way through the capital city of the kingdom of Benin in west Africa. It was another dreadful act aimed at securing political and economic control…

Boijmans Collections Depot – teaser

The revolutionary new collections depot for Museum Boijmans Van Beuningen in Rotterdam opens later this year. Here is en evocative glimpse of the roof top. More about this remarkable project – [Link] [Link] [Link] [Link]

Confronting the Classics

Project Greece and Rome – [Link] Classics is the study of Ancient Greece and Rome. Or is it? Mary Beard, Cambridge University Professor, the popular “Oxbridge Don“ of the British media, deals with the question of the object of Classics in her book Confronting the Classics: Traditions, Adventures, and Innovations (Liveright 2013). I had a…