A previous post on this site mentioned a recent visit I made to Fogo Island [Link] — and where I found myself revisiting matters I had raised in a book of mine — Heritage Performance Design (2019) [Link]. Here are more comments and thoughts that have arisen after this extraordinary gathering. See also my thoughts…
re-enactment
Nolan’s Odyssey (3) — the collapse of civilization and the shape of history
Performing the archive — a study in theatre/archaeology In July I posted a response to Nolan’s Odyssey [Link] — an old story, I argued, but not the one that was being talked about. The movie faithfully restages not Homer but a nineteenth-century grand narrative of civilization and its fall. A month of reviews and a…
Christopher Nolan’s Odyssey (1) – an old story, but not the one that’s being talked about
Replaying Homer — Theatre/Archaeology. Notes on Christopher Nolan’s Odyssey. The Odyssey, adapted from Homer and directed by Christopher Nolan. Even before its release on July 17, the movie generated much discussion and commentary. Historical accuracy – helmets from the wrong period, Viking ships in the Bronze Age, and an Agamemnon that looks like Batman. Fidelity to Homer’s…
Robert Longo’s archaeological sensibility
An exhibition of works by Robert Longo at Louisiana Museum of Modern Art [Link]. Raft at Sea 2016-17 Longo traces photographs in charcoal. Large scale charcoal drawings. Of photographs. Blow-ups — upscaled photographs — traced projections. Iceberg for C.D.F (Caspar David Friedrich), 2015-16; The Western Wall, 2011 (Jerusalem) Stand back and you see the BIG…
Speculative author
Hans Christian Andersen at Tivoli Amusement Park, Copenhagen [Link]. August 10 – here’s his desk at the H.C. Andersen Hus in Odense [Link]. The museum/center/garden/experience is remarkable tribute to the extraordinary range of his work. I had not appreciated his sophistication – fabulation, science fiction, psychology, collage, papercuts, letter writing …
Mike Pearson – theatre/archaeology
Mike Pearson died last week. He was a performance artist, theatre director, theorist and philosopher, scholar and teacher. And, as composer John Hardy said, Mike collaborated and connected – visual design, architectural stagecraft, poets, playwrights, composers, experimental jazz musicians, dancers, disability & gender specialists, comics, community art conveners, museum curators, traditional Japanese theatre performers, Patagonian farmers,…