Studio update – Spring 2022

This academic year I am on sabbatical leave finishing three long-running projects and planning to focus more on applications of the archaeological imagination to matters of common and pressing contemporary concern, especially through design foresight and futures literacy. This is why I have put to one side my critical commentary on all things archaeological and…

fictive realism – Ray Harryhausen’s model making

There’s an exhibition of the stop-motion animation of Ray Harryhausen running at Scottish National Gallery of Modern Art – [Link]. I vividly remember first seeing his magical movies in the 60s and 70s. The infamous fighting skeletons in Jason and the Argonauts (1963); Pegasus the winged horse in Clash of the Titans (1981). Paul Noble…

synchronicity – through a glass

Recent post about ATARAXIA – [Link] Return and revenance. My current exploration of synchronicity [Link] has taken me back. To a post in April 2015 [Link]. Instrumentalities. April 2006 Boonville California – Hasselblad 503CW camera (2000), Zeiss 120mm lens (2000), Hasselblad CFV digital back (2006) April 2015 Boonville California – Leica 90mm macro lens (2015)…

memory and return – Tri Bywyd (Three Lives) 1995

On the return of the past: document, memory, and archive. Katie Pearl (theatre director and professor at Wesleyan – see her extraordinary work here – [Link]) recently got in touch asking about the performance in Wales in 1995 of Tri Bywyd (translation – Three Lives), a work of theatre/archaeology by arts company Brith Gof. Specifically…

Cardiff 1919 – theatre/archaeology

A team from National Theatre Wales, featuring Kyle Legall and Mike Pearson, have just published a powerful work of theatre/archaeology* in their series Storm, about the race riots in Cardiff Wales in 1919. It takes the form of a graphic novel with animated video and voice over. A timely intervention. https://www.cardiff1919.wales – [Link] *theatre/archaeology –…