Christopher Nolan’s Odyssey – an old story, but not the one that’s being talked about

Replaying Homer — Theatre/Archaeology. Notes on Christopher Nolan’s Odyssey. The Odyssey, adapted from Homer and directed by Christopher Nolan. Even before its release on July 17, the movie generated much discussion and commentary. Historical accuracy – helmets from the wrong period, Viking ships in the Bronze Age, and an Agamemnon that looks like Batman. Fidelity to Homer’s…

AI and collaboration — lessons from Stanford

Here is the keynote I presented at our reunion last week in Odense, of Danish alumni of the Stanford H-Star fellowship program (2010 to 2015). Keith Devlin (H-Star director emeritus) and Connie Svabo of the STEM Education Research Center – FNUG at University of Southern Denmark [Link], were our hosts. The program enabled about 50…

Crystalline Memories of Deep Time

Claus Spangsberg at the Rundetaarn, Copenhagen [Link]. With Connie (Svabo) on the last day of the exhibition – Crystalline Memories of Deep Time. Part of our ongoing collaboration around art-science, research-creation [Link], scholartistry [Link], creative-pragmatics [Link] – and mobilized through FNUG, her lab at University of Southern Denmark [Link], and Studio MS at Stanford [Link]….

Don Lavigne — archaeological epigram

Epigram — a concept Don Lavigne was on campus last Friday (Nov 21) to give what was a fascinating talk about ancient Greek epigram — short texts inscribed on something, typically a stone, base, offering, tomb, votive dedication, statue. Don didn’t offer a philological account of epigrams simply as texts. Instead he explored a media…

Digital Humanities — a zombie concept

This is part of my long-running commentary on the current state and future of the humanities, including what gets called digital humanities. Nudged by a symposium at Stanford There was a symposium at Stanford last week (November 14-15) called “The Futures of Antiquity in an Age of Digital Data and AI”. Credit goes to faculty…

Archaeography: An Introduction

A conversation with photographer Graeme Williams [Link] last November prompted me to reorganize and review my own photowork. Here’s one result. Archaeography — where the performance of photowork meets an archaeological sensibility.Exploring the shared practices of archaeology and photography — working with remains, attending to traces, and composing with absence. Since the 1970s I have…