This is another comment coming in the wake of my recent visit to Fogo Island for Shore Time — a gathering to discuss design, art, place [Link] [Link] It’s about the wonderful architecture of Todd Saunders [Link]. More matters of hospitality, of hosts, visitors, and the ghosts that can haunt their meeting. At Shore Time,…
Cliff McLucas
Welsh memories in a Cretan landscape
I am on a short visit to Crete. Elounda, Lasithi. Out east. Past the prehistoric ruins of Malia, to where Chris (Witmore) and I drove in the Renault convertible on an impromptu photo shoot. It’s been twenty five years since. Another visit now to liquid commingling times. A dappled landscape I look out over a…
Newsletter — Stanford Archaeology Center
Prospective reflections on 2025-26 Acting with nature — prehistory My new book Archaeologies of Nature: Activating the Archive, written with Gabriella Giannachi, University of Exeter and Turin, is now complete and in production. Open Access — it will be available as PDF in June 2026. We use an archaeology of artworks to probe human relationships…
Tony Harrison — poet, playwright, radical Classicist
Poet and playwright, inspiration and colleague, Tony Harrison died yesterday. Widely acknowledged for his extraordinary poetic and dramatic verse, for his daring translation, he might also be remembered as an archaeological poet of classical antiquity — someone who habitually dug into the strata of Graeco-Roman (and medieval) remains and reworked them not as past history, as…
Deep Mapping
I’m in a workshop about Deep Mapping, delivering the opening keynote. A fascinating gathering (Venice and online), organized by Cristina Manzetti (University of Cyprus), and Valentina Mignosa (Ca’ Foscari University of Venice, Digital and Public Humanities (VeDPH). The topic is an old favorite of mine, developed in my theatre/archaeology with Cliff McLucas and Mike Pearson…
A journey round my father: methodological notes on an archaeological sensibility
This is a commentary on a recent post on this site – A journey round my father [Link]. It’s about the features, concepts, tools and techniques of a reclaimed archaeological sensibility that help us connect with a complex world in flux. Bjørnar (Olsen) was visiting in the Spring when my father took another fall at…