Performing the archive — a study in theatre/archaeology In July I posted a response to Nolan’s Odyssey [Link] — an old story, I argued, but not the one that was being talked about. The movie faithfully restages not Homer but a nineteenth-century grand narrative of civilization and its fall. A month of reviews and a…
atmospheres
Statue and thunderstorm
Nyborg Fjord, Denmark.
Welsh memories in a Cretan landscape
I am on a short visit to Crete. Elounda, Lasithi. Out east. Past the prehistoric ruins of Malia, to where Chris (Witmore) and I drove in the Renault convertible on an impromptu photo shoot. It’s been twenty five years since. Another visit now to liquid commingling times. A dappled landscape I look out over a…
Newsletter — Stanford Archaeology Center
Prospective reflections on 2025-26 Acting with nature — prehistory My new book Archaeologies of Nature: Activating the Archive, written with Gabriella Giannachi, University of Exeter and Turin, is now complete and in production. Open Access — it will be available as PDF in June 2026. We use an archaeology of artworks to probe human relationships…
In Gitte and Poul’s garden
Svendborg, Funen, Denmark Denn alles Fleisch, es ist wie Grasund alle Herrlichkeit des Menschenwie des Grases Blumen.Das Gras ist verdorretund die Blume abgefallen … (Johannes Brahms – Ein deutsches Requiem (1865) Op. 45) Click on image to open gallery -> Poul, Connie, Gitte, Jan, Keith
Cloud study with monument
In the wake, John Constable 1821. [Link] [Link] [Link] [Link] [Link] Bathing House, Howick Estate, Northumberland UK. Eighteenth-century cottage, remodeled 1813-15.