Four new works from Anselm Kiefer go on exhibition at Gagosian Le Bourget, Paris, February 7. Marvelous manifestations of the archaeological imagination – [Link] What interests me is the transformation, not the monument. I don’t construct ruins, but I feel ruins are moments when things show themselves. A ruin is not a catastrophe. It is…
entropy
materiality of the invisible
Yesterday I had the great honor to open a remarkable exhibition of artworks at the Van Eyck Academie in Maastricht – multiform institute for fine art, design and reflection Curators: Lex ter Braak, Director of Van Eyck and Huib Haye van der Werf, Head of Artistic Program. The exhibition runs through The Van Eyck Academie, Marres,…
postbox
A returning fascination with postal systems (… The Crying of Lot 49) – see the section on the postcard in my “Experiencing the Past” – [Link] Expired Polaroid film stock (Type 690) – 2006. Camera – NPC 195.
ruins – thoughts on the aesthetic
An exhibition currently at the Tate in London is exploring British images of ruin since the 18th century. Ruin Lust, an exhibition at Tate Britain from 4 March 2014, offers a guide to the mournful, thrilling, comic and perverse uses of ruins in art from the seventeenth century to the present day. The exhibition is…
theory of ruin – hylography
– the clouds take on shapes almost recognizable – the waves on the shore offer smooth gestures in the sand – the gravestone inscription weathers such that it appears to have lost all form … but not quite This is hylography – the process of emergence and disappearance, intentional or unintentional, of graphical form out…
Ruin Memories
The Ruin Memories project is drawing to a close. Here is the introduction to the final portfolio: Modernity is rarely associated with ruins. In our everyday comprehension ruins rather bring to mind ancient and enchanted monumental structures; an archaeological dream world featuring celebrities such as Machu Picchu, Pompeii and Angkor Wat. Yet never have so…
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