Mike Pearson – theatre/archaeology

Mike Pearson died last week. He was a performance artist, theatre director, theorist and philosopher, scholar and teacher. And, as composer John Hardy said, Mike collaborated and connected – visual design, architectural stagecraft, poets, playwrights, composers, experimental jazz musicians, dancers, disability & gender specialists, comics, community art conveners, museum curators, traditional Japanese theatre performers, Patagonian farmers,…

Boijmans Collections Depot – teaser

The revolutionary new collections depot for Museum Boijmans Van Beuningen in Rotterdam opens later this year. Here is en evocative glimpse of the roof top. More about this remarkable project – [Link] [Link] [Link] [Link]

the valencies of Neo-Classical

I have been avoiding giving any attention to the last days of Trump. Jody Maxmin, however, directed me to an executive order this last weekend concerning classical architecture. Here’s the report in the New York Times: Trump Makes Classical Style the Default for Federal Buildings An executive order stopped short of banning modernist architecture, but…

Cardiff 1919 – theatre/archaeology

A team from National Theatre Wales, featuring Kyle Legall and Mike Pearson, have just published a powerful work of theatre/archaeology* in their series Storm, about the race riots in Cardiff Wales in 1919. It takes the form of a graphic novel with animated video and voice over. A timely intervention. https://www.cardiff1919.wales – [Link] *theatre/archaeology –…

Update – the actuality of the archaeological past

I have contributed little to this site Since 2016. I have been writing (Greece and Rome: a new model of antiquity [Link]), running experiments in fieldwork (Project Borderlands [Link]), exploring applied archaeology (with a host of organizations and corporations), asking questions of the proper role of the academic, the researcher, the scholar. In this contemporary…