sampling and re-presentation

Sampled pigments from mine tailings. Amelia Colliery, Shankhouse, Cramlington, Northumberland UK. Closed 1938. One of many coal mines in south east Northumberland. The pit heap was notorious for its internal burning – hence the red and orange oxides. Non-representation. Post-phenomenology. Part of project Borderlands – [Link]

property, legacy, heritage, and a case for connoisseurship

Project Borderlands – [Link] More reflections on the entanglement of property and colonialism, taste and upbringing, class and inequality. [Link] [Link] [Link] In the early 1700s Admiral George Delaval, wealthy from a career in the Royal Navy, diplomatic service and from overseas investments, bought his old family estate from an impoverished cousin. He hired Sir…

three synchronicities – different voices

Synchronicity – meaningful coincidence, where things align or connect without there being any proximate or apparent cause. A critical technique to open space for different voices – [Link]. One In a recent online lecture for Stanford Dan-el Padilla Peralta, a Classics professor at Princeton, told of a conference he was attending in Florida on the…

Reconstructing Classics – voice

Part 2 of a review of Confronting Classics, by Mary Beard [Link]. Some tactics for challenging the orthodox monologue of academic Classical Studies and opening space to hear other voices. What is Classical Studies about? Mary Beard argues that Classics is not about ancient Greece and Rome at all, but about what happens in the…

reenactment – dealing with pandemic

Responses to pandemic then and now! From the Ever After project at National Theatre Wales – Mike Pearson and Zoe Laughlin. Zoe [Link] is also Director of the marvelous Institute of Making at University College London [Link]. Mike: I thought you might appreciate the attached images. Following the death of her aunt, Zoe Laughlin spent…