I am on a short visit to Crete. Elounda, Lasithi. Out east. Past the prehistoric ruins of Malia, to where Chris (Witmore) and I drove in the Renault convertible on an impromptu photo shoot. It’s been twenty five years since. Another visit now to liquid commingling times. A dappled landscape I look out over a…
forensics
Don Lavigne — archaeological epigram
Epigram — a concept Don Lavigne was on campus last Friday (Nov 21) to give what was a fascinating talk about ancient Greek epigram — short texts inscribed on something, typically a stone, base, offering, tomb, votive dedication, statue. Don didn’t offer a philological account of epigrams simply as texts. Instead he explored a media…
Mike Pearson – theatre/archaeology
Mike Pearson died last week. He was a performance artist, theatre director, theorist and philosopher, scholar and teacher. And, as composer John Hardy said, Mike collaborated and connected – visual design, architectural stagecraft, poets, playwrights, composers, experimental jazz musicians, dancers, disability & gender specialists, comics, community art conveners, museum curators, traditional Japanese theatre performers, Patagonian farmers,…
Studio update – Spring 2022
This academic year I am on sabbatical leave finishing three long-running projects and planning to focus more on applications of the archaeological imagination to matters of common and pressing contemporary concern, especially through design foresight and futures literacy. This is why I have put to one side my critical commentary on all things archaeological and…
sampling and re-presentation
Sampled pigments from mine tailings. Amelia Colliery, Shankhouse, Cramlington, Northumberland UK. Closed 1938. One of many coal mines in south east Northumberland. The pit heap was notorious for its internal burning – hence the red and orange oxides. Non-representation. Post-phenomenology. Part of project Borderlands – [Link]
On the politics of (museum) exhibition
More about the future (potential) of museums I was at a very thought provoking talk today at Bard Graduate Center [Link]. Yannis Hamilakis told us about an exhibition he has helped curate that is currently running at Haffenreffer Gallery, Brown University USA. It is called Transient Matter: Assemblages of Migration in the Mediterranean. Yannis leads…