Studio update – Spring 2022

This academic year I am on sabbatical leave finishing three long-running projects and planning to focus more on applications of the archaeological imagination to matters of common and pressing contemporary concern, especially through design foresight and futures literacy. This is why I have put to one side my critical commentary on all things archaeological and…

William Blake – post-classicist

Recently I have been posting thoughts about the current state of Classical Studies, asking: What might be done regarding the complicity of Classical Studies in ideological standpoints, including cultural chauvinism, nationalism, imperialism, colonialism? I am much taken with dramatic techniques involving focus on characters and personae, avatars and ghosts, figuration and voices: How might we…

the future of the museum

The new Collections Depot for Rotterdam’s Museum Boijmans Van Beuningen in Rotterdam is under construction. I visited a couple of weeks ago and had a chat with Sjarel Ex, Director of Boijmans. This is opening the doors of the museum and gallery in a new way – all 150,000 items in the collection will be…

narrative fallacy and a fridge magnet

At the Van Gogh Museum in Amsterdam. Between 1880 and 1890 Vincent Van Gogh produced over 2000 artworks, and, so the story goes, died in poverty and mental illness, never having sold anything. Thereafter his genius was gradually discovered and he was acknowledged as a key figure in the history of art. Tortured and misunderstood…

car collection – connoisseurship and archaeology

This is one of a series of comments on the 8th biennial symposium “Connoisseurship and the Collectible Car” held at the Revs Institute for Automotive Research in Naples, Florida in March 2015. [Link] The symposia at the Revs Institute bring together people passionate about collecting cars, passionate about thinking deeply around questions of conservation and…