three synchronicities – different voices

Synchronicity – meaningful coincidence, where things align or connect without there being any proximate or apparent cause. A critical technique to open space for different voices – [Link]. One In a recent online lecture for Stanford Dan-el Padilla Peralta, a Classics professor at Princeton, told of a conference he was attending in Florida on the…

Reconstructing Classics – voice

Part 2 of a review of Confronting Classics, by Mary Beard [Link]. Some tactics for challenging the orthodox monologue of academic Classical Studies and opening space to hear other voices. What is Classical Studies about? Mary Beard argues that Classics is not about ancient Greece and Rome at all, but about what happens in the…

Mike Pearson Coriolanus

Coriolan/us, Brecht, site and intervention

Mike Pearson and Mike Brookes are directing another wonderful and extraordinary site specific production of a classic dramatic text. A couple of years ago it was Aeschylus’s Persians set in a simulation of a German village used for military training in the Brecon Beacons of Wales [Link]. Currently running is Coriolan/us – a hybrid of…

chorography – then and now

Chorography – a workshop at Durham University July 10 2012 – [Link] Summer fieldwork. I am less focused on the excavations at Binchester this year [Link]. I am pulling together my long-running research into the region – the English Scottish borders. How do you tell of such a place? All that is there, and has…

Mike Pearson | The Persians

Classics and the contemporary past Mike Pearson and his new production of Aeschylus Persians (National Theatre of Wales) gets a superb review in the Guardian today [Link] This is site-specific theatre with a vengeance. High up in the Brecon Beacons, in a mock-up village used by the military as a training-base, National Theatre Wales is…