Anselm Kiefer’s archaeological sensibility

Four new works from Anselm Kiefer go on exhibition at Gagosian Le Bourget, Paris, February 7. Marvelous manifestations of the archaeological imagination – [Link] What interests me is the transformation, not the monument. I don’t construct ruins, but I feel ruins are moments when things show themselves. A ruin is not a catastrophe. It is…

Boijmans Collections Depot – teaser

The revolutionary new collections depot for Museum Boijmans Van Beuningen in Rotterdam opens later this year. Here is en evocative glimpse of the roof top. More about this remarkable project – [Link] [Link] [Link] [Link]

three synchronicities – different voices

Synchronicity – meaningful coincidence, where things align or connect without there being any proximate or apparent cause. A critical technique to open space for different voices – [Link]. One In a recent online lecture for Stanford Dan-el Padilla Peralta, a Classics professor at Princeton, told of a conference he was attending in Florida on the…

Cardiff 1919 – theatre/archaeology

A team from National Theatre Wales, featuring Kyle Legall and Mike Pearson, have just published a powerful work of theatre/archaeology* in their series Storm, about the race riots in Cardiff Wales in 1919. It takes the form of a graphic novel with animated video and voice over. A timely intervention. https://www.cardiff1919.wales – [Link] *theatre/archaeology –…

Update – the actuality of the archaeological past

I have contributed little to this site Since 2016. I have been writing (Greece and Rome: a new model of antiquity [Link]), running experiments in fieldwork (Project Borderlands [Link]), exploring applied archaeology (with a host of organizations and corporations), asking questions of the proper role of the academic, the researcher, the scholar. In this contemporary…

Paul Noble – new work – interiors

Paul Noble’s latest work is now showing at the Gagosian Gallery in San Francisco – [Link] G is for ear Nobson New Town, Paul’s extraordinary world, appears in the drawings he has produced since the mid 1990s. I met Paul in 2013, wrote an essay for the great exhibition of his work at Boijmans Van…