A journey round my father: methodological notes on an archaeological sensibility

This is a commentary on a recent post on this site – A journey round my father [Link]. It’s about the features, concepts, tools and techniques of a reclaimed archaeological sensibility that help us connect with a complex world in flux. Bjørnar (Olsen) was visiting in the Spring when my father took another fall at…

Update: December 2022 – slow archaeology

“Our brains aren’t designed for multitasking”, my dear friend Cliff Nass, mathematician, cognitive scientist and psychologist, warned me a good long while ago – and he’d written a book about it! “It will slow you down and cloud your reasoning.” OK — I’m still working on the same big three projects as back then. But…

Mike Pearson – theatre/archaeology

Mike Pearson died last week. He was a performance artist, theatre director, theorist and philosopher, scholar and teacher. And, as composer John Hardy said, Mike collaborated and connected – visual design, architectural stagecraft, poets, playwrights, composers, experimental jazz musicians, dancers, disability & gender specialists, comics, community art conveners, museum curators, traditional Japanese theatre performers, Patagonian farmers,…

Studio update – Spring 2022

This academic year I am on sabbatical leave finishing three long-running projects and planning to focus more on applications of the archaeological imagination to matters of common and pressing contemporary concern, especially through design foresight and futures literacy. This is why I have put to one side my critical commentary on all things archaeological and…

three synchronicities – different voices

Synchronicity – meaningful coincidence, where things align or connect without there being any proximate or apparent cause. A critical technique to open space for different voices – [Link]. One In a recent online lecture for Stanford Dan-el Padilla Peralta, a Classics professor at Princeton, told of a conference he was attending in Florida on the…