This academic year I am on sabbatical leave finishing three long-running projects and planning to focus more on applications of the archaeological imagination to matters of common and pressing contemporary concern, especially through design foresight and futures literacy. This is why I have put to one side my critical commentary on all things archaeological and…
phenomenologies
sampling and re-presentation
Sampled pigments from mine tailings. Amelia Colliery, Shankhouse, Cramlington, Northumberland UK. Closed 1938. One of many coal mines in south east Northumberland. The pit heap was notorious for its internal burning – hence the red and orange oxides. Non-representation. Post-phenomenology. Part of project Borderlands – [Link]
Olympia 1978
#fenestration
materiality of the invisible
Yesterday I had the great honor to open a remarkable exhibition of artworks at the Van Eyck Academie in Maastricht – multiform institute for fine art, design and reflection Curators: Lex ter Braak, Director of Van Eyck and Huib Haye van der Werf, Head of Artistic Program. The exhibition runs through The Van Eyck Academie, Marres,…
car phenomenology?
The Revs Program at Monterey Motorsports – in the news. Stanford wires up vintage sports cars. Eddie Hall’s Bentley – managing surface contacts
racing experiences (2) – Laguna Seca
A fascinating week for the Revs Program at Laguna Seca Racetrack. Coordinated effort to document the driving experience – historic cars – and the community who cherish automotive heritage. Raising the profile of automotive studies, taking seriously this vital iconic part of the contemporary past. As Mark Gessler – HVA (Historic Vehicle Association) and FIVA…
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