sampling and re-presentation

Sampled pigments from mine tailings. Amelia Colliery, Shankhouse, Cramlington, Northumberland UK. Closed 1938. One of many coal mines in south east Northumberland. The pit heap was notorious for its internal burning – hence the red and orange oxides. Non-representation. Post-phenomenology. Part of project Borderlands – [Link]

On the politics of (museum) exhibition

More about the future (potential) of museums I was at a very thought provoking talk today at Bard Graduate Center [Link]. Yannis Hamilakis told us about an exhibition he has helped curate that is currently running at Haffenreffer Gallery, Brown University USA. It is called Transient Matter: Assemblages of Migration in the Mediterranean. Yannis leads…

Anselm Kiefer’s archaeological sensibility

Four new works from Anselm Kiefer go on exhibition at Gagosian Le Bourget, Paris, February 7. Marvelous manifestations of the archaeological imagination – [Link] What interests me is the transformation, not the monument. I don’t construct ruins, but I feel ruins are moments when things show themselves. A ruin is not a catastrophe. It is…

Reconstructing Classics – voice

Part 2 of a review of Confronting Classics, by Mary Beard [Link]. Some tactics for challenging the orthodox monologue of academic Classical Studies and opening space to hear other voices. What is Classical Studies about? Mary Beard argues that Classics is not about ancient Greece and Rome at all, but about what happens in the…

Cardiff 1919 – theatre/archaeology

A team from National Theatre Wales, featuring Kyle Legall and Mike Pearson, have just published a powerful work of theatre/archaeology* in their series Storm, about the race riots in Cardiff Wales in 1919. It takes the form of a graphic novel with animated video and voice over. A timely intervention. https://www.cardiff1919.wales – [Link] *theatre/archaeology –…

Update – the actuality of the archaeological past

I have contributed little to this site Since 2016. I have been writing (Greece and Rome: a new model of antiquity [Link]), running experiments in fieldwork (Project Borderlands [Link]), exploring applied archaeology (with a host of organizations and corporations), asking questions of the proper role of the academic, the researcher, the scholar. In this contemporary…