Claus Spangsberg at the Rundetaarn, Copenhagen [Link]. With Connie (Svabo) on the last day of the exhibition – Crystalline Memories of Deep Time. Part of our ongoing collaboration around art-science, research-creation [Link], scholartistry [Link], creative-pragmatics [Link] – and mobilized through FNUG, her lab at University of Southern Denmark [Link], and Studio MS at Stanford [Link]….
archive 3.0
Digital Humanities — a zombie concept
This is part of my long-running commentary on the current state and future of the humanities, including what gets called digital humanities. Nudged by a symposium at Stanford There was a symposium at Stanford last week (November 14-15) called “The Futures of Antiquity in an Age of Digital Data and AI”. Credit goes to faculty…
Archaeological Theatre
Visiting the Thorvaldsen Museum in Copenhagen [Link]. What an experience of archaeological theatre! [Link] I discovered the work of Danish neo-classical sculptor Bertel Thorvaldsen (1770 – 1844) at the Museum of Classical Archaeology in Cambridge in 1977, when its collection of plaster casts of ancient Greek and Roman sculpture was still housed in my college…
Robert Longo’s archaeological sensibility
An exhibition of works by Robert Longo at Louisiana Museum of Modern Art [Link]. Raft at Sea 2016-17 Longo traces photographs in charcoal. Large scale charcoal drawings. Of photographs. Blow-ups — upscaled photographs — traced projections. Iceberg for C.D.F (Caspar David Friedrich), 2015-16; The Western Wall, 2011 (Jerusalem) Stand back and you see the BIG…
Mike Pearson – theatre/archaeology
Mike Pearson died last week. He was a performance artist, theatre director, theorist and philosopher, scholar and teacher. And, as composer John Hardy said, Mike collaborated and connected – visual design, architectural stagecraft, poets, playwrights, composers, experimental jazz musicians, dancers, disability & gender specialists, comics, community art conveners, museum curators, traditional Japanese theatre performers, Patagonian farmers,…
Studio update – Spring 2022
This academic year I am on sabbatical leave finishing three long-running projects and planning to focus more on applications of the archaeological imagination to matters of common and pressing contemporary concern, especially through design foresight and futures literacy. This is why I have put to one side my critical commentary on all things archaeological and…