Sampled pigments from mine tailings. Amelia Colliery, Shankhouse, Cramlington, Northumberland UK. Closed 1938. One of many coal mines in south east Northumberland. The pit heap was notorious for its internal burning – hence the red and orange oxides. Non-representation. Post-phenomenology. Part of project Borderlands – [Link]
archaeology
insignificants
A marvelous talk today at Stanford from Tim Flohr Sørensen (Copenhagen) about his project – Insignificants – [Link]. So much in a short report on such a beautifully simple experiment. Archaeologists often pride themselves on taking up what is overlooked, insignificant, discarded as irrelevant, detritus, mere traces, garbage. But what does this involve? What happens…
fictive realism – Ray Harryhausen’s model making
There’s an exhibition of the stop-motion animation of Ray Harryhausen running at Scottish National Gallery of Modern Art – [Link]. I vividly remember first seeing his magical movies in the 60s and 70s. The infamous fighting skeletons in Jason and the Argonauts (1963); Pegasus the winged horse in Clash of the Titans (1981). Paul Noble…
synchronicity – chair with vines and fire
More experiments with hand-held double exposures Mountain View Road, Boonville, California Synchronicity – [Link]
rubric for a doctoral dissertation
See alsoA personal learning manifesto – [Link]A learning manifesto – pragmatics – [Link] Two members of my studio/lab at Stanford have successfully defended their doctoral dissertations this year. Congratulations to Anne Duray and Anja Krieger with their research into the history of archaeological approaches to the Bronze Age/Iron Age transition in Greece (Anne), and the…
Reconstructing Classics – voice
Part 2 of a review of Confronting Classics, by Mary Beard [Link]. Some tactics for challenging the orthodox monologue of academic Classical Studies and opening space to hear other voices. What is Classical Studies about? Mary Beard argues that Classics is not about ancient Greece and Rome at all, but about what happens in the…