This is a commentary on a recent post on this site – A journey round my father [Link]. It’s about the features, concepts, tools and techniques of a reclaimed archaeological sensibility that help us connect with a complex world in flux. Bjørnar (Olsen) was visiting in the Spring when my father took another fall at…
the shape of history
A journey round my father
Life dispersed in small things forgotten Funeral We buried him in the cemetery at Blyth (in the north-east of England) overlooking the beach in the plot where my mother has lain since 1999. It was a bleak place back then. Twenty five years have seen the trees and hedges mature. The watery sunshine of that…
Update: December 2022 – slow archaeology
“Our brains aren’t designed for multitasking”, my dear friend Cliff Nass, mathematician, cognitive scientist and psychologist, warned me a good long while ago – and he’d written a book about it! “It will slow you down and cloud your reasoning.” OK — I’m still working on the same big three projects as back then. But…
Mike Pearson – theatre/archaeology
Mike Pearson died last week. He was a performance artist, theatre director, theorist and philosopher, scholar and teacher. And, as composer John Hardy said, Mike collaborated and connected – visual design, architectural stagecraft, poets, playwrights, composers, experimental jazz musicians, dancers, disability & gender specialists, comics, community art conveners, museum curators, traditional Japanese theatre performers, Patagonian farmers,…
Studio update – Spring 2022
This academic year I am on sabbatical leave finishing three long-running projects and planning to focus more on applications of the archaeological imagination to matters of common and pressing contemporary concern, especially through design foresight and futures literacy. This is why I have put to one side my critical commentary on all things archaeological and…
sampling and re-presentation
Sampled pigments from mine tailings. Amelia Colliery, Shankhouse, Cramlington, Northumberland UK. Closed 1938. One of many coal mines in south east Northumberland. The pit heap was notorious for its internal burning – hence the red and orange oxides. Non-representation. Post-phenomenology. Part of project Borderlands – [Link]