Mike Pearson died last week. He was a performance artist, theatre director, theorist and philosopher, scholar and teacher. And, as composer John Hardy said, Mike collaborated and connected – visual design, architectural stagecraft, poets, playwrights, composers, experimental jazz musicians, dancers, disability & gender specialists, comics, community art conveners, museum curators, traditional Japanese theatre performers, Patagonian farmers,…
chorography
Studio update – Spring 2022
This academic year I am on sabbatical leave finishing three long-running projects and planning to focus more on applications of the archaeological imagination to matters of common and pressing contemporary concern, especially through design foresight and futures literacy. This is why I have put to one side my critical commentary on all things archaeological and…
sampling and re-presentation
Sampled pigments from mine tailings. Amelia Colliery, Shankhouse, Cramlington, Northumberland UK. Closed 1938. One of many coal mines in south east Northumberland. The pit heap was notorious for its internal burning – hence the red and orange oxides. Non-representation. Post-phenomenology. Part of project Borderlands – [Link]
Thomas the Rhymer
Thomas of Ercildoune and the tower at Bemersyde. Project Borderlands – [Link]. In the wake – Walter Scott, Wizard of the North – 1831 – [Link]. Durat Opus Vatum – Thomas Percy 1765.
et in Arcadia ego (2.2)
Project: Et in Arcadia ego – [Link] Ravens’ Pike, Boonville, California.
Heritage – actuality and performative pragmatics
Published next month – Chinese translation of my essay on heritage as actuality, with a case study from the Roman north. [Link] to 2012 version in English.