Chris Tilley – mythographic triptych (annotated)

Reflections on the work of Christopher Yates Tilley 2 Tilley in the north – with glass – magnifying glass, Claude glass, dark mirror? Thomas of Erceldoune, the Rhymer, Thomas the True, poet and prophet who could not tell a lie. 1292 Scottish Borderlands. Favorite of Walter Scott, inventor of the historical novel — Wizard of…

Update: December 2022 – slow archaeology

“Our brains aren’t designed for multitasking”, my dear friend Cliff Nass, mathematician, cognitive scientist and psychologist, warned me a good long while ago – and he’d written a book about it! “It will slow you down and cloud your reasoning.” OK — I’m still working on the same big three projects as back then. But…

Mike Pearson – theatre/archaeology

Mike Pearson died last week. He was a performance artist, theatre director, theorist and philosopher, scholar and teacher. And, as composer John Hardy said, Mike collaborated and connected – visual design, architectural stagecraft, poets, playwrights, composers, experimental jazz musicians, dancers, disability & gender specialists, comics, community art conveners, museum curators, traditional Japanese theatre performers, Patagonian farmers,…

Studio update – Spring 2022

This academic year I am on sabbatical leave finishing three long-running projects and planning to focus more on applications of the archaeological imagination to matters of common and pressing contemporary concern, especially through design foresight and futures literacy. This is why I have put to one side my critical commentary on all things archaeological and…

sampling and re-presentation

Sampled pigments from mine tailings. Amelia Colliery, Shankhouse, Cramlington, Northumberland UK. Closed 1938. One of many coal mines in south east Northumberland. The pit heap was notorious for its internal burning – hence the red and orange oxides. Non-representation. Post-phenomenology. Part of project Borderlands – [Link]

insignificants

A marvelous talk today at Stanford from Tim Flohr Sørensen (Copenhagen) about his project – Insignificants – [Link]. So much in a short report on such a beautifully simple experiment. Archaeologists often pride themselves on taking up what is overlooked, insignificant, discarded as irrelevant, detritus, mere traces, garbage. But what does this involve? What happens…