I’m in a workshop about Deep Mapping, delivering the opening keynote. A fascinating gathering (Venice and online), organized by Cristina Manzetti (University of Cyprus), and Valentina Mignosa (Ca’ Foscari University of Venice, Digital and Public Humanities (VeDPH). The topic is an old favorite of mine, developed in my theatre/archaeology with Cliff McLucas and Mike Pearson…
deep mapping
Map on a wall
Border county of Northumberland [Link] – Three Landscapes Project, Studio Michael Shanks Stanford University 2000
Applied Archaeology — Applied Humanities
Studio Michael Shanks Stanford University Newsletter 2024 Stanford Archaeology Center Archaeological mission and vision? Ivory tower as lighthouse? In a recent newsletter for Stanford Archaeology Center [Link] I talked of slow archaeology, of the benefits of long-running projects that afford time for unfolding reflection. Three interrelated projects remain ongoing. A kind of archaeological triptych. —…
A journey round my father: methodological notes on an archaeological sensibility
This is a commentary on a recent post on this site – A journey round my father [Link]. It’s about the features, concepts, tools and techniques of a reclaimed archaeological sensibility that help us connect with a complex world in flux. Bjørnar (Olsen) was visiting in the Spring when my father took another fall at…
Mike Pearson – theatre/archaeology
Mike Pearson died last week. He was a performance artist, theatre director, theorist and philosopher, scholar and teacher. And, as composer John Hardy said, Mike collaborated and connected – visual design, architectural stagecraft, poets, playwrights, composers, experimental jazz musicians, dancers, disability & gender specialists, comics, community art conveners, museum curators, traditional Japanese theatre performers, Patagonian farmers,…
Studio update – Spring 2022
This academic year I am on sabbatical leave finishing three long-running projects and planning to focus more on applications of the archaeological imagination to matters of common and pressing contemporary concern, especially through design foresight and futures literacy. This is why I have put to one side my critical commentary on all things archaeological and…