A day for Chris Tilley: reflections on the performance of academic life

University College London November 15 2024. This morning I was online at a gathering of colleagues, friends, former students, to reflect upon the life and work of Chris Tilley who died earlier this year [Link]. Appreciative memories; what remains; hindsight and legacy; influences. There were the regular, standardized, and orthodox accounts of Tilley’s part in…

In Tilley’s Garden: Transcendental Experiences

reflections on the work of Christopher Yates Tilley 4 This is Part 4 of a reflection upon the works of Chris Tilley, prompted by his too-early death in March 2024. I want to do justice to the range and depth, the significance of his work in anthropology and archaeology. My reflections are based on memories,…

In Tilley’s garden – a summer long ago

Reflections on the work of Christopher Yates Tilley 1 This is Part 1 of a reflection upon the works of Chris Tilley, prompted by his too-early death in March 2024. I want to do justice to the range and depth, the significance of his work in anthropology and archaeology. My reflections are based on memories,…

Studio update – Spring 2022

This academic year I am on sabbatical leave finishing three long-running projects and planning to focus more on applications of the archaeological imagination to matters of common and pressing contemporary concern, especially through design foresight and futures literacy. This is why I have put to one side my critical commentary on all things archaeological and…

sampling and re-presentation

Sampled pigments from mine tailings. Amelia Colliery, Shankhouse, Cramlington, Northumberland UK. Closed 1938. One of many coal mines in south east Northumberland. The pit heap was notorious for its internal burning – hence the red and orange oxides. Non-representation. Post-phenomenology. Part of project Borderlands – [Link]