Mike Pearson – theatre/archaeology

Mike Pearson died last week. He was a performance artist, theatre director, theorist and philosopher, scholar and teacher. And, as composer John Hardy said, Mike collaborated and connected – visual design, architectural stagecraft, poets, playwrights, composers, experimental jazz musicians, dancers, disability & gender specialists, comics, community art conveners, museum curators, traditional Japanese theatre performers, Patagonian farmers,…

On the politics of (museum) exhibition

More about the future (potential) of museums I was at a very thought provoking talk today at Bard Graduate Center [Link]. Yannis Hamilakis told us about an exhibition he has helped curate that is currently running at Haffenreffer Gallery, Brown University USA. It is called Transient Matter: Assemblages of Migration in the Mediterranean. Yannis leads…

Anselm Kiefer’s archaeological sensibility

Four new works from Anselm Kiefer go on exhibition at Gagosian Le Bourget, Paris, February 7. Marvelous manifestations of the archaeological imagination – [Link] What interests me is the transformation, not the monument. I don’t construct ruins, but I feel ruins are moments when things show themselves. A ruin is not a catastrophe. It is…

fictive realism – Ray Harryhausen’s model making

There’s an exhibition of the stop-motion animation of Ray Harryhausen running at Scottish National Gallery of Modern Art – [Link]. I vividly remember first seeing his magical movies in the 60s and 70s. The infamous fighting skeletons in Jason and the Argonauts (1963); Pegasus the winged horse in Clash of the Titans (1981). Paul Noble…

Reconstructing Classics – voice

Part 2 of a review of Confronting Classics, by Mary Beard [Link]. Some tactics for challenging the orthodox monologue of academic Classical Studies and opening space to hear other voices. What is Classical Studies about? Mary Beard argues that Classics is not about ancient Greece and Rome at all, but about what happens in the…

memory and return – Tri Bywyd (Three Lives) 1995

On the return of the past: document, memory, and archive. Katie Pearl (theatre director and professor at Wesleyan – see her extraordinary work here – [Link]) recently got in touch asking about the performance in Wales in 1995 of Tri Bywyd (translation – Three Lives), a work of theatre/archaeology by arts company Brith Gof. Specifically…