Mike Pearson – theatre/archaeology

Mike Pearson died last week. He was a performance artist, theatre director, theorist and philosopher, scholar and teacher. And, as composer John Hardy said, Mike collaborated and connected – visual design, architectural stagecraft, poets, playwrights, composers, experimental jazz musicians, dancers, disability & gender specialists, comics, community art conveners, museum curators, traditional Japanese theatre performers, Patagonian farmers,…

Studio update – Spring 2022

This academic year I am on sabbatical leave finishing three long-running projects and planning to focus more on applications of the archaeological imagination to matters of common and pressing contemporary concern, especially through design foresight and futures literacy. This is why I have put to one side my critical commentary on all things archaeological and…

Thomas the Rhymer

Thomas of Ercildoune and the tower at Bemersyde. Project Borderlands – [Link]. In the wake – Walter Scott, Wizard of the North – 1831 – [Link]. Durat Opus Vatum – Thomas Percy 1765.

Anselm Kiefer’s archaeological sensibility

Four new works from Anselm Kiefer go on exhibition at Gagosian Le Bourget, Paris, February 7. Marvelous manifestations of the archaeological imagination – [Link] What interests me is the transformation, not the monument. I don’t construct ruins, but I feel ruins are moments when things show themselves. A ruin is not a catastrophe. It is…

Ruins – Josef Koudelka

Thoughts on the universality and valency of ruination. With a comment about the toppling of statues of erstwhile heroes. A couple of months ago Alain Schnapp was talking with me about his new book, a universal history of ruins, an exploration of an archaeological sensibility that takes us back to antiquity [Link]. I have just…