the archaeological circuit

Archaeologists work with what remains. Here’s a new version of my diagram that aims to grasp the components of this process, this field, this circuit (I like all the connotations of field and circuit, involving energy flows, connections of roots and branches, rhizomatic webs and pathways). Read moreArchaeology – [Link]The archaeological imagination – [Link]

reenactment – dealing with pandemic

Responses to pandemic then and now! From the Ever After project at National Theatre Wales – Mike Pearson and Zoe Laughlin. Zoe [Link] is also Director of the marvelous Institute of Making at University College London [Link]. Mike: I thought you might appreciate the attached images. Following the death of her aunt, Zoe Laughlin spent…

memory and return – Tri Bywyd (Three Lives) 1995

On the return of the past: document, memory, and archive. Katie Pearl (theatre director and professor at Wesleyan – see her extraordinary work here – [Link]) recently got in touch asking about the performance in Wales in 1995 of Tri Bywyd (translation – Three Lives), a work of theatre/archaeology by arts company Brith Gof. Specifically…

a mirror and a bowl

The giant silver bowl in Rotterdam, the new collections open storage depot for Museum Boijmans van Beuningen, now has its mirror skin within which one may see all kind of wonders. Here below are Peter Delpeut (novelist), Winy Maas (architect), and Sjarel Ex (director) with thoughts on viewing the landscape/cityscape by means of a giant…

Cardiff 1919 – theatre/archaeology

A team from National Theatre Wales, featuring Kyle Legall and Mike Pearson, have just published a powerful work of theatre/archaeology* in their series Storm, about the race riots in Cardiff Wales in 1919. It takes the form of a graphic novel with animated video and voice over. A timely intervention. https://www.cardiff1919.wales – [Link] *theatre/archaeology –…