Foresight and Innovation returns to Stanford With Stanford colleagues Bill Cockayne and Tamara Carleton, I have started to revive our research interest in Foresight and Innovation, anticipating, plotting future scenarios, as a part of the Center for Design Research. Bill pioneered this effort when we worked together in Stanford Humanities Lab with Jeffrey Schnapp and…
“what becomes of what was”
Edsel Ford and a 1915 Model T – automotive archaeology
Mark Gessler and the team from the Historic Vehicle Association of America called in to Stanford’s Revs Program today on their epic trip from Detroit to San Francisco in a 1915 Model T Ford [Link] (Click on the photos for full evocative resolution) They’re following the tracks of Edsel Ford who took a Model T…
history’s ruin – the case of an automobile
This is one of a series of comments on the 8th biennial symposium “Connoisseurship and the Collectible Car” held at the Revs Institute for Automotive Research in Naples, Florida in March 2015. [Link] I’m in a workshop at the Revs Institute in Naples Florida, home of Miles Collier’s remarkable collection of cars and all things…
car collection – connoisseurship and archaeology
This is one of a series of comments on the 8th biennial symposium “Connoisseurship and the Collectible Car” held at the Revs Institute for Automotive Research in Naples, Florida in March 2015. [Link] The symposia at the Revs Institute bring together people passionate about collecting cars, passionate about thinking deeply around questions of conservation and…
conflict-time-photography
Tate Modern, London – I have just been to the exhibition Conflict – Time – Photography [Link] The topic is how photographs connect with traumatic events and experiences, how they document such events. Here’s the review in Time Out by Freire Barnes – [Link] As we look back over 100 years since the end of…
Elevate Ensemble – presence and absence
Wonderful performance from Elevate Ensemble last night at San Francisco Conservatory. Superbly introduced and conducted by Chad Goodman. Highlight for me – a joint work “Bethlehem” by composer Danny Clay and photographer/urban archaeologist Jeremy Blakeslee Ambience and presence – in the old Bethlehem shipyards in San Francisco. Or rather absence – got me thinking again…
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