media archaeology More than twenty years ago I discovered the daguerreotype — one of the earliest of photographic media. Images are formed in a camera on polished light sensitive silver-plated copper—on mirrors. These are not just simply early photographs. They are unique one-off images, and positive-negative—you have to catch the mirrored surface at the right…
presence
Bewick’s dog
In my favorite bookstore, Barter Books, in the old station in Alnwick, Northumberland, I found an old edition of Bewick’s woodcuts. One of them shows a dog fearful of faces and monstrous creatures seen in some trees at night. (Thomas Bewick (c. 11 August 1753 – 8 November 1828) — wood-engraver and natural history author…
In Tilley’s Garden: figures in a landscape
Reflections on the work of Christopher Yates Tilley 3 This is Part 3 of a reflection upon the works of Chris Tilley, prompted by his too-early death in March 2024. I want to do justice to the range and depth, the significance of his work in anthropology and archaeology. My reflections are based on memories,…
In Tilley’s garden – a summer long ago
Reflections on the work of Christopher Yates Tilley 1 This is Part 1 of a reflection upon the works of Chris Tilley, prompted by his too-early death in March 2024. I want to do justice to the range and depth, the significance of his work in anthropology and archaeology. My reflections are based on memories,…
Mike Pearson – theatre/archaeology
Mike Pearson died last week. He was a performance artist, theatre director, theorist and philosopher, scholar and teacher. And, as composer John Hardy said, Mike collaborated and connected – visual design, architectural stagecraft, poets, playwrights, composers, experimental jazz musicians, dancers, disability & gender specialists, comics, community art conveners, museum curators, traditional Japanese theatre performers, Patagonian farmers,…
Studio update – Spring 2022
This academic year I am on sabbatical leave finishing three long-running projects and planning to focus more on applications of the archaeological imagination to matters of common and pressing contemporary concern, especially through design foresight and futures literacy. This is why I have put to one side my critical commentary on all things archaeological and…