Sampled pigments from mine tailings. Amelia Colliery, Shankhouse, Cramlington, Northumberland UK. Closed 1938. One of many coal mines in south east Northumberland. The pit heap was notorious for its internal burning – hence the red and orange oxides. Non-representation. Post-phenomenology. Part of project Borderlands – [Link]
metamorphosis
Thomas the Rhymer
Thomas of Ercildoune and the tower at Bemersyde. Project Borderlands – [Link]. In the wake – Walter Scott, Wizard of the North – 1831 – [Link]. Durat Opus Vatum – Thomas Percy 1765.
Kronos and the stone
Prehistoric creatures and the limits of reason. Todten-Kopff – [Link]
in the alchemist’s studio – 01
Polished copper and brass. Seaweed. The archaeological circuit – [Link]
fictive realism – Ray Harryhausen’s model making
There’s an exhibition of the stop-motion animation of Ray Harryhausen running at Scottish National Gallery of Modern Art – [Link]. I vividly remember first seeing his magical movies in the 60s and 70s. The infamous fighting skeletons in Jason and the Argonauts (1963); Pegasus the winged horse in Clash of the Titans (1981). Paul Noble…
In a world of things
A new video from Zoe Laughlin (Institute of Making), Mike Pearson (National Theatre of Wales), and John Rowley (artist, theatre maker, performer). Active matter, merging and fusions, processes and manipulations, experiences and immaterialities. An extraordinary exploration of lifeworld in times of viral pandemic. Watch out for our forthcoming “Thinking through Things” – [Link]