sampling and re-presentation

Sampled pigments from mine tailings. Amelia Colliery, Shankhouse, Cramlington, Northumberland UK. Closed 1938. One of many coal mines in south east Northumberland. The pit heap was notorious for its internal burning – hence the red and orange oxides. Non-representation. Post-phenomenology. Part of project Borderlands – [Link]

insignificants

A marvelous talk today at Stanford from Tim Flohr Sørensen (Copenhagen) about his project – Insignificants – [Link]. So much in a short report on such a beautifully simple experiment. Archaeologists often pride themselves on taking up what is overlooked, insignificant, discarded as irrelevant, detritus, mere traces, garbage. But what does this involve? What happens…

In a world of things

A new video from Zoe Laughlin (Institute of Making), Mike Pearson (National Theatre of Wales), and John Rowley (artist, theatre maker, performer). Active matter, merging and fusions, processes and manipulations, experiences and immaterialities. An extraordinary exploration of lifeworld in times of viral pandemic. Watch out for our forthcoming “Thinking through Things” – [Link]

materiality of the invisible

Yesterday I had the great honor to open a remarkable exhibition of artworks at the Van Eyck Academie in Maastricht – multiform institute for fine art, design and reflection Curators: Lex ter Braak, Director of Van Eyck and Huib Haye van der Werf, Head of Artistic Program. The exhibition runs through The Van Eyck Academie, Marres,…

Nobson Newtown – In Parenthesis

The great exhibition of Paul Noble’s work opened at Museum Boijmans van Beuningen at the weekend – [Link] An endlessly growing cosmopolis 14 June – 21 September 2014 This summer Museum Boijmans Van Beuningen will exhibit Paul Noble’s Nobson Newtown, an ever-growing cosmopolis on which the artist has worked for eighteen years. The vast drawings…