Mike Pearson and I have a new work of theatre/archaeology, to be premiered next week – Friday 28 June. Here’s how we describe it: Just what is an automobile? In this new work of theatre/archaeology — the rearticulation of fragments of the past as real-time event — Mike Pearson and Michael Shanks reflect on an…
design matters
the rhetoric of remains
Grosser Mercedes 770 – Hitler at Nuremberg in 1935 Twenty artifacts, twenty cars — how do you decide which is the most historically significant? This was the challenge of one of our classes in the Revs Program this term. We have considered the obvious criteria that might be applied — a car associated with an…
heritage futures – a design paradigm
Last May I delivered the Reinwardt Memorial Lecture at Amsterdam School of the Arts – [Link] This week it was published as an illustrated booklet – Let me tell you about Hadrian’s Wall: Heritage, Performance, Design The 2012 Reinwardt Lecture. Amsterdam School of Arts, 2013 Background: phases in the growth of the heritage industry this…
design as exchange
Design values in globalism – the vitality of return and exchange Here is my commentary on the design exhibition currently running at Museum Boijmans van Beuningen, Rotterdam [Link]. My previous commentaries – [Link] [Link] Design Column #4 The circle is round ‘The World is Deglobalizing at Breakneck Speed’ – so read the title of a…
the politics of new media: it’s an old story
I am back at Museum Boijmans van Beuningen, Rotterdam, for the new exhibition Design Column #3 Likes – [Link] ([Link] to Design Column #2) Here is my commentary. It revolves again around my concern for human centered design, and under a long term view of history. My main point: new media are not so new…
designing for difference? Chris Bangle at Revs
Chris Bangle, car designer, was at the Stanford Revs Program this evening. He’s a superb speaker and came with some great stories, on the back of his notorious leadership of the BMW design team, about how cars might begin again to look more distinctive, when so many today look so bland, just the same as…
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