Update – the actuality of the archaeological past

I have contributed little to this site Since 2016. I have been writing (Greece and Rome: a new model of antiquity [Link]), running experiments in fieldwork (Project Borderlands [Link]), exploring applied archaeology (with a host of organizations and corporations), asking questions of the proper role of the academic, the researcher, the scholar. In this contemporary…

update – summer 2016

The book on Greece and Rome with Gary (Devore) [Link] is close to being done. We’ve chosen to offer a quite different kind of account of antiquity and we’re delighted with the scope of its underlying model and perspective (archaeological and focused on the topic of membership of body politic). It’s the success of our…

war music

Poetry turned performance — National Theatre Wales are currently presenting a performed version of Christopher’s Logue’s extraordinary account of Homer’s Iliad, designed and directed by Mike Pearson and Mike Brookes. [Link] Pasts and presents mingled in place event, past poetic shards rearticulated as real-time event – theatre/archaeology. It’s another theatrical triumph – after Aeschylus Persians…

Model T Ford at the Palace of Fine Arts

I was at the Palace of Fine Arts in San Francisco this morning to welcome the arrival of the Historic Vehicle Association of America in their 1915 Model T Ford – culmination of a 3600 mile drive from Detroit following the tracks of Edsel Ford who made the same road trip a century ago. He…

car collection – connoisseurship and archaeology

This is one of a series of comments on the 8th biennial symposium “Connoisseurship and the Collectible Car” held at the Revs Institute for Automotive Research in Naples, Florida in March 2015. [Link] The symposia at the Revs Institute bring together people passionate about collecting cars, passionate about thinking deeply around questions of conservation and…