Studio Michael Shanks Stanford University Newsletter 2024 Stanford Archaeology Center Archaeological mission and vision? Ivory tower as lighthouse? In a recent newsletter for Stanford Archaeology Center [Link] I talked of slow archaeology, of the benefits of long-running projects that afford time for unfolding reflection. Three interrelated projects remain ongoing. A kind of archaeological triptych. —…
archaeological sensibility
ghost in the mirror
media archaeology More than twenty years ago I discovered the daguerreotype — one of the earliest of photographic media. Images are formed in a camera on polished light sensitive silver-plated copper—on mirrors. These are not just simply early photographs. They are unique one-off images, and positive-negative—you have to catch the mirrored surface at the right…
Archaeological shores: reflections on a metaphysics of cartography
Field notes. The pragmatics of an archaeological sensibility — what might one do in an archaeological visit to the beach? For as long as I can remember maps have made me anxious. Where does one draw the line of a coast, a road, a river? In archaeological excavation one is regularly required to document, record,…
A journey round my father: methodological notes on an archaeological sensibility
This is a commentary on a recent post on this site – A journey round my father [Link]. It’s about the features, concepts, tools and techniques of a reclaimed archaeological sensibility that help us connect with a complex world in flux. Bjørnar (Olsen) was visiting in the Spring when my father took another fall at…
A journey round my father
Life dispersed in small things forgotten Funeral We buried him in the cemetery at Blyth (in the north-east of England) overlooking the beach in the plot where my mother has lain since 1999. It was a bleak place back then. Twenty five years have seen the trees and hedges mature. The watery sunshine of that…
Bewick’s dog
In my favorite bookstore, Barter Books, in the old station in Alnwick, Northumberland, I found an old edition of Bewick’s woodcuts. One of them shows a dog fearful of faces and monstrous creatures seen in some trees at night. (Thomas Bewick (c. 11 August 1753 – 8 November 1828) — wood-engraver and natural history author…