Four new works from Anselm Kiefer go on exhibition at Gagosian Le Bourget, Paris, February 7. Marvelous manifestations of the archaeological imagination – [Link] What interests me is the transformation, not the monument. I don’t construct ruins, but I feel ruins are moments when things show themselves. A ruin is not a catastrophe. It is…
actuality
Postclassicisms? – a roundtable discussion at Stanford
What future Classics? What’s the point of Classics and Classical Studies?What is the object(ive) of such a disciplinary field?What is the value in and of studying Greek and Roman antiquity? At Stanford we have started a series of conversations around these questions under the title Reframing Classics Our focus today – Postclassicisms – a book…
resonating pasts – Alan Moore
In our exploration of historical narrative, Gary Devore and I have been looking at the work of Alan Moore, graphic novelist. Of note is his Voice of the Fire (1996), a concatenation of voices echoing over 6000 years through Northampton, England, his home town. Here are a couple of pages in From Hell (1989-1996) conveying…
the valencies of Neo-Classical
I have been avoiding giving any attention to the last days of Trump. Jody Maxmin, however, directed me to an executive order this last weekend concerning classical architecture. Here’s the report in the New York Times: Trump Makes Classical Style the Default for Federal Buildings An executive order stopped short of banning modernist architecture, but…
synchronicity – through a glass
Recent post about ATARAXIA – [Link] Return and revenance. My current exploration of synchronicity [Link] has taken me back. To a post in April 2015 [Link]. Instrumentalities. April 2006 Boonville California – Hasselblad 503CW camera (2000), Zeiss 120mm lens (2000), Hasselblad CFV digital back (2006) April 2015 Boonville California – Leica 90mm macro lens (2015)…
William Blake – post-classicist
Recently I have been posting thoughts about the current state of Classical Studies, asking: What might be done regarding the complicity of Classical Studies in ideological standpoints, including cultural chauvinism, nationalism, imperialism, colonialism? I am much taken with dramatic techniques involving focus on characters and personae, avatars and ghosts, figuration and voices: How might we…