media archaeology More than twenty years ago I discovered the daguerreotype — one of the earliest of photographic media. Images are formed in a camera on polished light sensitive silver-plated copper—on mirrors. These are not just simply early photographs. They are unique one-off images, and positive-negative—you have to catch the mirrored surface at the right…
(re)framing
Archaeological shores: reflections on a metaphysics of cartography
Field notes. The pragmatics of an archaeological sensibility — what might one do in an archaeological visit to the beach? For as long as I can remember maps have made me anxious. Where does one draw the line of a coast, a road, a river? In archaeological excavation one is regularly required to document, record,…
A journey round my father
Life dispersed in small things forgotten Funeral We buried him in the cemetery at Blyth (in the north-east of England) overlooking the beach in the plot where my mother has lain since 1999. It was a bleak place back then. Twenty five years have seen the trees and hedges mature. The watery sunshine of that…
Update: December 2022 – slow archaeology
“Our brains aren’t designed for multitasking”, my dear friend Cliff Nass, mathematician, cognitive scientist and psychologist, warned me a good long while ago – and he’d written a book about it! “It will slow you down and cloud your reasoning.” OK — I’m still working on the same big three projects as back then. But…
Studio update – Spring 2022
This academic year I am on sabbatical leave finishing three long-running projects and planning to focus more on applications of the archaeological imagination to matters of common and pressing contemporary concern, especially through design foresight and futures literacy. This is why I have put to one side my critical commentary on all things archaeological and…