This is one of a series of comments on the 8th biennial symposium “Connoisseurship and the Collectible Car” held at the Revs Institute for Automotive Research in Naples, Florida in March 2015. [Link] The symposia at the Revs Institute bring together people passionate about collecting cars, passionate about thinking deeply around questions of conservation and…
contemporary past
a visit to a studio – cultural entanglements
This evening Molly and I visited the studio of Ghiora Aharoni. I had been here in November, as part of the class on antiquarians and design – [Link] Then it was a visit through Peter’s iPad camera – on Skype. This evening the occasion was a reception to celebrate Ruby Namdar’s novel, ten years in…
Helen Shanks – an archaeological sensibility
Helen has just launched her web site – http://helenshanks.com Ceramics connecting quiddities, material engagement, deep history, hylography, the skeuomorph – the life of things – see some recent comments – [Link] [Link]
Get Carter – then and now
“Get Carter” (Mike Hodges 1971) – Michael Caine’s finest movie role. Set in the North East of England. Visiting one of the locations – Blyth – once the biggest coal port in Europe, shipping 7 million tons in 1961, from these great wooden staithes, now gone, but for the jetties. Another archaeology of the contemporary…
forty years on – restaging – return – nostos
I have just received the wonderful photo book of Mike Pearson’s new work – The Lesson of Anatomy 1974/2014. On 5 and 6 July 1974, the newly founded Cardiff Laboratory for Theatrical Research (later Cardiff Laboratory Theatre) presented The Lesson of Anatomy: The Life, Obsessions and Fantasies of Antonin Artaud in the Sherman Arena Theater,…
ruins – thoughts on the aesthetic
An exhibition currently at the Tate in London is exploring British images of ruin since the 18th century. Ruin Lust, an exhibition at Tate Britain from 4 March 2014, offers a guide to the mournful, thrilling, comic and perverse uses of ruins in art from the seventeenth century to the present day. The exhibition is…
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