Poet and playwright, inspiration and colleague, Tony Harrison died yesterday. Widely acknowledged for his extraordinary poetic and dramatic verse, for his daring translation, he might also be remembered as an archaeological poet of classical antiquity — someone who habitually dug into the strata of Graeco-Roman (and medieval) remains and reworked them not as past history, as…
archaeological sensibility
Archaeological Theatre
Visiting the Thorvaldsen Museum in Copenhagen [Link]. What an experience of archaeological theatre! [Link] I discovered the work of Danish neo-classical sculptor Bertel Thorvaldsen (1770 – 1844) at the Museum of Classical Archaeology in Cambridge in 1977, when its collection of plaster casts of ancient Greek and Roman sculpture was still housed in my college…
Over your cities grass will grow
Sensitive light-touch upcycling of an old locomotive works. Curated rewilding and planting for biodiversity. Working with the past, bridging past and present. Designing landscapes with sensitivity to ecosystem. Manifestations of an archaeological sensibility and acting-with nature [Link]. The opening in 1998 of the bridge across the Storebaelt, connecting the two biggest islands in Denmark, brought…
phenomenology — making place one’s property
I have been visiting the island of Bornholm in the Baltic south of Sweden over the last few years — another exploration through an archaeological sensibility of the archipelago of the North Sea [Link]. This year has involved something of a virtual conversation with the ghost of Chris Tilley. I heard that at the time…
The archaeological life of things — Bornholm
Hosts, ghosts, visitors For some years I have been making archaeological visits to Bornholm, the Danish island south of Sweden. Rock art, unique prehistoric sites and monuments, medieval settlement, churches and castles, rune stones, fishing industry, cold war relics, an arts community since the nineteenth century, contemporary heritage and tourism. The mingling remains of many…
Archaeography: An Introduction
A conversation with photographer Graeme Williams [Link] last November prompted me to reorganize and review my own photowork. Here’s one result. Archaeography — where the performance of photowork meets an archaeological sensibility.Exploring the shared practices of archaeology and photography — working with remains, attending to traces, and composing with absence. Since the 1970s I have…