I am in Amsterdam delivering the Reinwardt Memorial Lecture at the Reinwardt Academy for Cultural Heritage in the Amsterdam School of the Arts [Link] [Link] This annual event commemorates the birthday of Caspar Georg Carl Reinwardt (3 June 1773 – 6 March 1854), after whom the Reinwardt Academy is named. The Academy is the foremost…
landscapes
prehistory and performance – an experiment in site specifics
In Göteborg this week I have been returning to the work of arts company Brith Gof – site specific performance. And theatre/archaeology – the rearticulation of fragments of the past as real time event. The context is my argument that the heritage industry is just that – work performed on what is left of the…
Boonville, California
I have been photographing these old apple trees for over ten years now. Relics of an outdated rural economy. Location – Mountain View Road, Boonville, Anderson Valley, northern California. The valley is now increasingly dominated by vineyards.
the Classical and the Romantic
Belsay, Northumberland. Early nineteenth century. Visiting with Bianca (Carpeneti). As pure a contrast between the Classical and Gothic Romantic as can be imagined. Here is something I have written to appear in my forthcoming book “The Archaeological Imagination” – to my embarrassment and frustration still in (final) revision. Sir Charles Monck decided not to restore…
landscape aesthetics – tactics (continued)
From a conversation in the Dun Cow, Durham (with Bianca Carpeneti and Chris Witmore). Topic – archaeology, ruins and the picturesque landscape. The allure, the ideology, the challenge to avoid cliché. How do we deal with archaeological landscapes today? Should I just give up photography? As a tainted medium? This is too simple a response…
landscape aesthetics – the politics (continued)
A conversation in the Dun Cow, Durham. To continue with the concern that I shared yesterday – the ideology of land, property and labor transformed into aesthetic form – landscape. Images that disguise history? (guilty pleasures of the sublime picturesque) [Link] It is not difficult to identify various components of this aesthetic. (I recall dealing with…
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