phenomenology — making place one’s property

I have been visiting the island of Bornholm in the Baltic south of Sweden over the last few years — another exploration through an archaeological sensibility of the archipelago of the North Sea [Link]. This year has involved something of a virtual conversation with the ghost of Chris Tilley. I heard that at the time…

Cloud study with monument

North Sea – Storebaelt Bridge. After John Constable’s cloud studies 1821. Series. Archaeographic notes An archaeologist might come upon an unexpected discovery. A photographer judges when to release a shutter on a moment before the camera. Kairos is a key in archaeological and photographic engagement and mediation — kairos is actuality, the moment when things…

Applied Archaeology — Applied Humanities

Studio Michael Shanks Stanford University Newsletter 2024 Stanford Archaeology Center Archaeological mission and vision? Ivory tower as lighthouse? In a recent newsletter for Stanford Archaeology Center [Link] I talked of slow archaeology, of the benefits of long-running projects that afford time for unfolding reflection. Three interrelated projects remain ongoing. A kind of archaeological triptych. —…

Update: December 2022 – slow archaeology

“Our brains aren’t designed for multitasking”, my dear friend Cliff Nass, mathematician, cognitive scientist and psychologist, warned me a good long while ago – and he’d written a book about it! “It will slow you down and cloud your reasoning.” OK — I’m still working on the same big three projects as back then. But…

Mike Pearson – theatre/archaeology

Mike Pearson died last week. He was a performance artist, theatre director, theorist and philosopher, scholar and teacher. And, as composer John Hardy said, Mike collaborated and connected – visual design, architectural stagecraft, poets, playwrights, composers, experimental jazz musicians, dancers, disability & gender specialists, comics, community art conveners, museum curators, traditional Japanese theatre performers, Patagonian farmers,…