returning

The past comes back to haunt in all sorts of ways. This is a key feature of the archaeological imagination. It may be something like “this happened here”, or “this was the way it was, and still is”. And, as archaeologists, as all of us do – we return, revisit, rehearse, reiterate, repeat. This familiar…

Model T Ford at the Palace of Fine Arts

I was at the Palace of Fine Arts in San Francisco this morning to welcome the arrival of the Historic Vehicle Association of America in their 1915 Model T Ford – culmination of a 3600 mile drive from Detroit following the tracks of Edsel Ford who made the same road trip a century ago. He…

Is ‘Design Thinking’ the New Liberal Arts?

Peter Miller’s piece about design thinking and history, more accurately archaeology (because archaeology deals with the past-in-the-present), is in the latest edition of the Chronicle of Higher Education. Is ‘Design Thinking’ the New Liberal Arts?. Here are some highlights that convey a key message – that human centered design and design thinking, about which I…

conflict-time-photography

Tate Modern, London – I have just been to the exhibition Conflict – Time – Photography [Link] The topic is how photographs connect with traumatic events and experiences, how they document such events. Here’s the review in Time Out by Freire Barnes – [Link] As we look back over 100 years since the end of…

forty years on – restaging – return – nostos

I have just received the wonderful photo book of Mike Pearson’s new work – The Lesson of Anatomy 1974/2014. On 5 and 6 July 1974, the newly founded Cardiff Laboratory for Theatrical Research (later Cardiff Laboratory Theatre) presented The Lesson of Anatomy: The Life, Obsessions and Fantasies of Antonin Artaud in the Sherman Arena Theater,…

genuine simulation

A couple of weeks ago I took a fabulous drive on a rough Montana ranch road in a 1927 Vauxhall with Miles Collier and Murray Smith. The car was the genuine article, but could the drive, in this between-the-wars archetypically English car, be said to be authentic, in the far reaches of Montana and so far from…