I was quite pleased with the special Blurb edition of the review of theatre/archaeology that Mike Pearson and I just published (good quality imagery, reasonable typography and layout) [Link] [Link] So I ran up a new portfolio of my rephotographed daguerreotypes – “Ghosts in the Mirror”. Ghosts in the Mirror by Michael Shanks Here…
media matters
Thessaloniki – physiognomy
Mike Pearson and I have started a new collaboration around theatre/archaeology – the rearticulation of fragments of the past as real time event – [Link] to a prospectus. As part of this revival I am reviewing some of my photography projects from the last three decades, explaining and adding commentary. Many are at archaeographer.com. I…
rephotography – Road&Track
Photography frames and fixes This can be enabling – seeing things through a detail, microcosmic part for whole – synechdoche – the oligopticon, where macro ladidary detail ironically offers more than the wide angle or panorama (contrast the panopticon). The world in a grain of sand. And disabling – frames restrict and compress, and fixity can…
the politics of new media: it’s an old story
I am back at Museum Boijmans van Beuningen, Rotterdam, for the new exhibition Design Column #3 Likes – [Link] ([Link] to Design Column #2) Here is my commentary. It revolves again around my concern for human centered design, and under a long term view of history. My main point: new media are not so new…
political engagement, contemporary art, archaeology
Six Lines of Flight: Shifting Geographies in Contemporary Art has just closed at San Francisco Museum of Modern Art [Link] [Link] The topic of the exhibition – contemporary art in six “far-flung” cities not typically defined as traditional centers of the art world: Beirut, Cali, Cluj-Napoca, Ho Chi Minh City, San Francisco, Tangier. Ostensibly this is…
photowork >> performed photography
As a skeptical young archaeologist back in the early 1980s I was fascinated by the connections between archaeology and photography, in archaeology’s project of documenting the remains of the past. Skeptical – I thought, and still do, that archaeology’s long links with the identity politics of nationalism and colonialism and its role in the growing…
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