Gallery – [water pigment paper] Working on my text accompaniment to the guide to Paul Noble’s art work, on display currently at Museum Boijmans van Beuningen, has had me reflecting again on just how we might describe an encounter, in this case with a world of the imagination, a curiously enigmatic cosmopolis. (As an archaeologist…
media matters
hylography
I am preparing with Paul Noble a guide to his work, as part of an upcoming exhibition at Museum Boijmans van Beuningen. Paul’s vast drawn world (as well as sculpted material forms) – a place called Nobson Newtown (though it questions just what we mean by place) – has at its heart a kind of fontography…
Hockney’s Yorkshire in San Francisco
David Hockney’s “A Bigger Exhibition” is showing at the de Young Museum in San Francisco – [Link] Yorkshire becomes Hockney’s California art world On show is a lot of work from the last decade, especially since Hockney’s move to the house he had bought his mother in the seaside town of Bridlington in Yorkshire. There…
watercolor
Helen at Boonville, Thanksgiving 2013
matters of authenticity and simulation
Is Disneyland authentic? This is a question I have pondered for a number of years, since I visited what was Eurodisney in 1992 (and explored in my book with Mike Pearson – Theatre/Archaeology – [Link]). It is too easy to say that Disney is superficial, or fantasy, or ideology. Here are a couple of cases…
102 in the shade
Cara by one of the old apple trees, Boonville, Anderson Valley CA. [Link] Taken on a 1939 Taylor-Hobson Leitz Xenon 50mm at f1.5. Click on the images to take a closer look at the way this gorgeous lens works.
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