Claus Spangsberg at the Rundetaarn, Copenhagen [Link]. With Connie (Svabo) on the last day of the exhibition – Crystalline Memories of Deep Time. Part of our ongoing collaboration around art-science, research-creation [Link], scholartistry [Link], creative-pragmatics [Link] – and mobilized through FNUG, her lab at University of Southern Denmark [Link], and Studio MS at Stanford [Link]….
media matters
Don Lavigne — archaeological epigram
Epigram — a concept Don Lavigne was on campus last Friday (Nov 21) to give what was a fascinating talk about ancient Greek epigram — short texts inscribed on something, typically a stone, base, offering, tomb, votive dedication, statue. Don didn’t offer a philological account of epigrams simply as texts. Instead he explored a media…
Archaeography: An Introduction
A conversation with photographer Graeme Williams [Link] last November prompted me to reorganize and review my own photowork. Here’s one result. Archaeography — where the performance of photowork meets an archaeological sensibility.Exploring the shared practices of archaeology and photography — working with remains, attending to traces, and composing with absence. Since the 1970s I have…
Robert Longo’s archaeological sensibility
An exhibition of works by Robert Longo at Louisiana Museum of Modern Art [Link]. Raft at Sea 2016-17 Longo traces photographs in charcoal. Large scale charcoal drawings. Of photographs. Blow-ups — upscaled photographs — traced projections. Iceberg for C.D.F (Caspar David Friedrich), 2015-16; The Western Wall, 2011 (Jerusalem) Stand back and you see the BIG…
Speculative author
Hans Christian Andersen at Tivoli Amusement Park, Copenhagen [Link]. August 10 – here’s his desk at the H.C. Andersen Hus in Odense [Link]. The museum/center/garden/experience is remarkable tribute to the extraordinary range of his work. I had not appreciated his sophistication – fabulation, science fiction, psychology, collage, papercuts, letter writing …
Map on a wall
Border county of Northumberland [Link] – Three Landscapes Project, Studio Michael Shanks Stanford University 2000