Scene of crime. Investigating with Mike Pearson. Home and estate of the First Lord Armstrong. Now in the hands of The National Trust.
figure and ground
Navarro River
Hendy Woods, Navarro River, California Times of drought (click on image for full evocative resolution)
formless – Dubuffet and hylography
Last year Paul Noble and I explored his remarkable world of Nobson New Town [Link]. Our conversation became [In Parenthesis] a kind of inventory or dictionary of topics in the way that form emerges in Paul’s drawing [Link] Here’s one of my initial reactions [Link]: In Nobson, buildings and structures give form to letters; things…
George Shaws paintings
Mike (Pearson) and I are planning a new edition of our book “Theatre/Archaeology” – now 15 years old. A key topic – the documentation, description, inscription of place/event – recognizing that places are always in motion, made what they are by virtue of our engagement, happening, perception, actions performed. Mike mentioned the work of George…
chorography – media materialities
Gallery – [water pigment paper] Working on my text accompaniment to the guide to Paul Noble’s art work, on display currently at Museum Boijmans van Beuningen, has had me reflecting again on just how we might describe an encounter, in this case with a world of the imagination, a curiously enigmatic cosmopolis. (As an archaeologist…
hylography
I am preparing with Paul Noble a guide to his work, as part of an upcoming exhibition at Museum Boijmans van Beuningen. Paul’s vast drawn world (as well as sculpted material forms) – a place called Nobson Newtown (though it questions just what we mean by place) – has at its heart a kind of fontography…
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