Visiting the Thorvaldsen Museum in Copenhagen [Link]. What an experience of archaeological theatre! [Link] I discovered the work of Danish neo-classical sculptor Bertel Thorvaldsen (1770 – 1844) at the Museum of Classical Archaeology in Cambridge in 1977, when its collection of plaster casts of ancient Greek and Roman sculpture was still housed in my college…
ambient rhetoric
Cloud study with monument
In the wake, John Constable 1821. [Link] [Link] [Link] [Link] Storebaelt Bridge. Ambient rhetoric — commentary to come.
A journey round my father
Life dispersed in small things forgotten Funeral We buried him in the cemetery at Blyth (in the north-east of England) overlooking the beach in the plot where my mother has lain since 1999. It was a bleak place back then. Twenty five years have seen the trees and hedges mature. The watery sunshine of that…
Studio update – Spring 2022
This academic year I am on sabbatical leave finishing three long-running projects and planning to focus more on applications of the archaeological imagination to matters of common and pressing contemporary concern, especially through design foresight and futures literacy. This is why I have put to one side my critical commentary on all things archaeological and…
through a glass
sampling and re-presentation
Sampled pigments from mine tailings. Amelia Colliery, Shankhouse, Cramlington, Northumberland UK. Closed 1938. One of many coal mines in south east Northumberland. The pit heap was notorious for its internal burning – hence the red and orange oxides. Non-representation. Post-phenomenology. Part of project Borderlands – [Link]