Thoughts on the universality and valency of ruination. With a comment about the toppling of statues of erstwhile heroes. A couple of months ago Alain Schnapp was talking with me about his new book, a universal history of ruins, an exploration of an archaeological sensibility that takes us back to antiquity [Link]. I have just…
Damian Ortega – Cosmic Thing (2002) (thoughts on the manifestation of history’s ruin – [Link])
This is one of a series of comments on the 8th biennial symposium “Connoisseurship and the Collectible Car” held at the Revs Institute for Automotive Research in Naples, Florida in March 2015. [Link] I’m in a workshop at the Revs Institute in Naples Florida, home of Miles Collier’s remarkable collection of cars and all things…
An exhibition currently at the Tate in London is exploring British images of ruin since the 18th century. Ruin Lust, an exhibition at Tate Britain from 4 March 2014, offers a guide to the mournful, thrilling, comic and perverse uses of ruins in art from the seventeenth century to the present day. The exhibition is…
– the clouds take on shapes almost recognizable – the waves on the shore offer smooth gestures in the sand – the gravestone inscription weathers such that it appears to have lost all form … but not quite This is hylography – the process of emergence and disappearance, intentional or unintentional, of graphical form out…
The Ruin Memories project is drawing to a close. Here is the introduction to the final portfolio: Modernity is rarely associated with ruins. In our everyday comprehension ruins rather bring to mind ancient and enchanted monumental structures; an archaeological dream world featuring celebrities such as Machu Picchu, Pompeii and Angkor Wat. Yet never have so…
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