Pearson|Shanks – Autosuggestion

Mike Pearson and I have a new work of theatre/archaeology, to be premiered next week – Friday 28 June. Here’s how we describe it: Just what is an automobile? In this new work of theatre/archaeology — the rearticulation of fragments of the past as real-time event — Mike Pearson and Michael Shanks reflect on an…

heritage futures – a design paradigm

Last May I delivered the Reinwardt Memorial Lecture at Amsterdam School of the Arts – [Link] This week it was published as an illustrated booklet – Let me tell you about Hadrian’s Wall: Heritage, Performance, Design The 2012 Reinwardt Lecture. Amsterdam School of Arts, 2013 Background: phases in the growth of the heritage industry this…

Pearson|Shanks – theatre|archaeology

A decade after our book Theatre/Archaeology (Routledge – [Link]), Mike Pearson and I have started a new series of collaborative works. Here is a prospectus: Pearson|Shanks – theatre|archaeology – return and prospect Twenty years ago Mike Pearson, performance artist, and Michael Shanks, archaeologist, opened a dialogue and collaboration through the theatre company Brith Gof, of…

heritage/design – theatre/archaeology

I am in Amsterdam delivering the Reinwardt Memorial Lecture at the Reinwardt Academy for Cultural Heritage in the Amsterdam School of the Arts [Link] [Link] This annual event commemorates the birthday of Caspar Georg Carl Reinwardt (3 June 1773 – 6 March 1854), after whom the Reinwardt Academy is named. The Academy is the foremost…

prehistory and performance – an experiment in site specifics

In Göteborg this week I have been returning to the work of arts company Brith Gof – site specific performance. And theatre/archaeology – the rearticulation of fragments of the past as real time event. The context is my argument that the heritage industry is just that – work performed on what is left of the…