I was quite pleased with the special Blurb edition of the review of theatre/archaeology that Mike Pearson and I just published (good quality imagery, reasonable typography and layout) [Link] [Link] So I ran up a new portfolio of my rephotographed daguerreotypes – “Ghosts in the Mirror”. Ghosts in the Mirror by Michael Shanks Here…
(re)framing
rephotography – Road&Track
Photography frames and fixes This can be enabling – seeing things through a detail, microcosmic part for whole – synechdoche – the oligopticon, where macro ladidary detail ironically offers more than the wide angle or panorama (contrast the panopticon). The world in a grain of sand. And disabling – frames restrict and compress, and fixity can…
Gary Devore on Fellini Satyricon
Gary (Devore) is currently presenting a superb commentary on Fellini Satyricon – that sumptuous marvel of a movie – [Link] In a daring and masterful tour de force, the director has violated every cinematographic rule by producing a film with no pace, no psychology, no stars, and no story. Gary has opened my eyes to…
Coriolan/us, Brecht, site and intervention
Mike Pearson and Mike Brookes are directing another wonderful and extraordinary site specific production of a classic dramatic text. A couple of years ago it was Aeschylus’s Persians set in a simulation of a German village used for military training in the Brecon Beacons of Wales [Link]. Currently running is Coriolan/us – a hybrid of…
heritage/design – theatre/archaeology
I am in Amsterdam delivering the Reinwardt Memorial Lecture at the Reinwardt Academy for Cultural Heritage in the Amsterdam School of the Arts [Link] [Link] This annual event commemorates the birthday of Caspar Georg Carl Reinwardt (3 June 1773 – 6 March 1854), after whom the Reinwardt Academy is named. The Academy is the foremost…
landscape aesthetics – tactics (continued)
From a conversation in the Dun Cow, Durham (with Bianca Carpeneti and Chris Witmore). Topic – archaeology, ruins and the picturesque landscape. The allure, the ideology, the challenge to avoid cliché. How do we deal with archaeological landscapes today? Should I just give up photography? As a tainted medium? This is too simple a response…
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