heritage

prehistory and performance – an experiment in site specifics

by Michael Shanks

In Göteborg this week I have been returning to the work of arts company Brith Gof – site specific performance. And theatre/archaeology – the rearticulation of fragments of the past as real time event. The context is my argument that the heritage industry is just that – work performed on what is left of the…

The Archaeological Imagination

by Michael Shanks

My book, The Archaeological Imagination, long in gestation, will soon be out from Mitch Allen’s Left Coast Press – [Link] This week in Götegorg, I have been sharing some of its stories. Set in the borders between England and Scotland, I explore the roots of so many of our contemporary attitudes towards the past. The…

Heritage as design (continued)

by Michael Shanks

Felipe Criado Boado (CSIC, the Spanish National Research Council and INCIPIT, the Institute of Heritage Sciences in Santiago de Compostela) is with us in the Archaeology Center for a couple of weeks. This evening he lectured about the way his new institute is approaching heritage. Heritage – the footprint of memory and oblivion – a…

heritage design – aspiration and redemption

by Michael Shanks

Tuesday July 19, Westminster, London (This is the report on our previously noted visit – [Link]) Bianca Carpeneti and Michael Shanks visiting Alan Campbell MP at the House of Commons Our current work on the archaeological project at Binchester UK includes a major focus on cultural resource management (CRM), as it gets called in the…

racing experiences (2) – Laguna Seca

by Michael Shanks

A fascinating week for the Revs Program at Laguna Seca Racetrack. Coordinated effort to document the driving experience – historic cars – and the community who cherish automotive heritage. Raising the profile of automotive studies, taking seriously this vital iconic part of the contemporary past. As Mark Gessler – HVA (Historic Vehicle Association) and FIVA…