contemporary past

the archaeological uncanny

by Michael Shanks

Gabriel Moshenska has sent me his recent and very neat article about the archaeological uncanny in the ghost stories of MR James. Gabriel is quite right, I think, to highlight the connection between Freud’s unheimlich, ghosts, and the haunting persistence, sometimes malevolent, of the past – MR James made much of the curses that can…

Alan Bennett’s satire – the National Trust and heritage

by Michael Shanks

I am hearing a lot about Alan Bennett’s new play “People”, currently running at the National Theatre in London [Link] The setting is where he grew up – south Yorkshire UK, in a run down country house facing an uncertain future. What are it’s upper crust owners going to do to make ends meet? Sell…

an archaeology of the contemporary past

by Michael Shanks

Today I’m in the Clark Center at Stanford, hub of the Bio-X Program – bioengineering and more. Steve Quake (Stanford Bioengineering and Applied Physics) is hosting a meeting of The Human Document Project – [Link] With us are Laura Welcher (Long Now Foundation), Tim D. White (Palaeoanthropology, Berkeley), Michael Fischer (Anthropological Sciences, Canterbury, UK), Andreas…

Mike Pearson Coriolanus

Coriolan/us, Brecht, site and intervention

by Michael Shanks

Mike Pearson and Mike Brookes are directing another wonderful and extraordinary site specific production of a classic dramatic text. A couple of years ago it was Aeschylus’s Persians set in a simulation of a German village used for military training in the Brecon Beacons of Wales [Link]. Currently running is Coriolan/us – a hybrid of…

automotive connoisseurship

by Michael Shanks

Palo Alto Concours d’Elegance – . Taking a tour with Jon Summers. What are the values and principles that govern the collection of cars? Just what are the values applied to these extraordinary artifacts? Age, elegance, finish, rarity, historical significance, market value … These are questions of automotive connoisseurship.